Interview with Ohad Naharin on Walla
In August 2025, Ohad Naharin was interviewed for Walla website. This is an English translation of the Hebrew text.
Category: Enrichment
Statement from Gaga Movement
Gaga Movement is a private organization which does not receive financial support from the government of Israel, nor does it represent the State of Israel
From the Abyss of Our Sadness – Ohad Naharin
Read Ohad Naharin’s message to the Gaga community.
Interview with Ohad Naharin in Haaretz
In December 2023, Ohad Naharin was interviewed for Haaretz newspaper by Gili Izikovich.
How Gaga Moves Our Teachers
We asked several Gaga teachers, “How does Gaga influence and impact your life?”
In Memoriam: Yaara Dolev
Yaara’s luminous smile, incandescent presence, deliciously playful imagery, and deep passion for dance and for life swept Gaga users away.
Dancing in the Spaces
Gaga is a babyish word, an infant’s first nonsensical babbling, beckoning us to remain in alert and curious attentiveness to the world, in constant awareness to our sensations, simultaneously holding and releasing.
Why We Gaga
We asked several dedicated Gaga users, “What do you enjoy most about taking Gaga class?”
Q&A with Ohad Naharin about Gaga Online
Nearly 2 years after COVID-19 moved classes to a live-streaming format, Ohad Naharin – Gaga’s developer – reflects on the impact of Gaga Online.
Q&A with Gaga’s Artistic Director, Saar Harari
Meet Gaga’s artistic director, Saar Harari, and learn about his connection to Gaga’s ever-evolving movement language.
30 Days of Gaga. A Non-Dancer’s Diary of Dance.
An American with no dance background somehow found himself in Tel Aviv – and in Gaga class.
Time is a stage for the passing
A practice for training and choreography, Gaga is first a research tool, and as such, it aspires to remain an open code always in a state of becoming and subject to constant redefinition.
Gaga and Naharin’s body of work
Besides serving as Batsheva’s training practice, Gaga’s influence has spread far beyond the 75-minute morning class to transform the company and Naharin’s repertory.
