30 Days of Gaga: Day 5
The music is chill and we begin by floating, sensing the lightness in our bodies and limbs.
The music is chill and we begin by floating, sensing the lightness in our bodies and limbs.
Our cue is to stay available. So at any moment, we can snap into movement.
I love this language. It’s evocative. Playful. It engages the imagination. Yet, it’s precise.
I have no desire to become a dancer, yet there’s something here for me.
An American with no dance background somehow found himself in Tel Aviv – and in Gaga class.
A practice for training and choreography, Gaga is first a research tool, and as such, it aspires to remain an open code always in a state of becoming and subject to constant redefinition.
Besides serving as Batsheva’s training practice, Gaga’s influence has spread far beyond the 75-minute morning class to transform the company and Naharin’s repertory.